Monday, 15 April 2013
Friday, 12 April 2013
Definitely near the top of my most anticipated records of the year list once announced I've been looking forward to a new album from The Knife ever since Silent Shout blew my mind way back in 2006, the surreal electronic pop music was simply wonderful, and when the day came for this albums release I turned my stereo up to 11 and was prepared to digest this album in all it's off beat glory. A departure/evolution of sound was to be expected on this album, you can hardly expect a band not to evolve in 6 years, however I found myself largely underwhelmed by this album. It's not that it isn't interesting, it is very interesting, it's just I don't think the core songwriting is very good with many songs hitting their peak way before they conclude. It's a good album, but it's not the masterpiece I was hoping for and as far as I'm concerned it doesn't even come close to the masterpiece 'Silent Shout' you may disagree and the is plenty to appreciate in this album but for me it's got the foundations to be a great album but it's chock full of filler & failed experimentation.
Sunday, 31 March 2013
A Primitive Evolution are an alternative rock/blues band from Toronto whose accolades read pretty impressively for any upcoming band with various festival appearances, support slots with popular acts such as Billy Talent and coming 2nd in a regional hard rock competition; it's fairly clear to me that this band has appeal. What struck me was how polished and high budget this music video is for an unknown band, with very acomplished direction & some impactful imagery, I kind of like it! Now whilst this is far from my usual cup of tea & I cannot envision myself listening to this too much in the future I can definitely say as far as big anthemic rock songs go this is a tier above from your average band, and I can imagine fans of bands such as Queens Of The Stone Age, The Dead Weather and Jane's Addiction getting quite the kick out of it. Whilst not a huge fan I can definitely see this band potentially grasping a large audience, the blend of acoustic guitars in what is a fairly heavy up-tempo track & those harsh guitar tones towards the end adds a breath of fresh air in what is often seen as a very stale genre; it's pretty good but those looking for a revolutionary sound may need to look elsewhere.
'We Are Lost' was released on debut album 'The Prize' last year & is available on Spoitfy
Why am I rebooting my blog with a song I'm not in love with you ask? I got an e-mail and remembered I had a blog! I will now resume updating said blog.
Saturday, 19 January 2013
'Goldenheart' is the debut full length LP from former P.Diddy manufactured girl band 'Danity Kane' member Dawn Richard coming off the back of her highly brilliant EP 'Armor On' which came out last year. This album pretty much follows all the tropes of this alternative R&B that seems to be around at the moment & if I'm honest with you I think this may be that genres defining piece, at least currently. Full of hooks, infectious melodies & some incredibly clever song structures which combines subtlety with abrasiveness which allows Dawn to create an album that sounds familiar and approachable as well as producing an album that has got it's very own defined sound, atmosphere and theme. For an album as long as 'Goldenheart' I was really quite surprised at how cohesive it sounded with every song sounding completely at home within this album with enough variants and changes to stop the album from dragging or becoming repetitive. In short this album is a masterpiece and would proudly sit as the Magnum Opus of any musicians back catalogue & considering this is a debut I really cannot wait to hear what else comes from the mind of Dawn Richard in the near future.
Tuesday, 8 January 2013
A fresh new year and a time for fresh new releases & whilst I have never heard Comadre before this release I have to say that if 2013 continues in this trait then I'd be a very happy chappy. Comadre is very much a hardcore/screamo album with onslaughts of distortion underneath some incredibly palatable and melodic guitar riffs. Clear influences would be bands such as 'The Blood Brothers' with their grooves, screams and noise. 'Cold Rain' and 'King Worm' pull off one hell of a 1 2 blow as they come in loud and proud with grooves and infectious hooks. 'Drag Blood' comes out a little leftfield with inclusion of Trumpet and the ninth track 'Hack' is a superbly poppy synth laced number with lots of momentum and drive. And that how I'd best describe this album, it's album with a lot of momentum and drive & it never relents, it finds it's footing and pacing early on and runs with it. The isn't any real weak tracks on here, just some tracks outshine others & this is a fantastically punchy record which I'm sure will get a considerable amount of plays this year.